Saturday, February 23, 2008

Michael Clayton: Juicing up a tired genre

Somewhere in the first third of the writer-director Tony Gilroy's widely celebrated debut effort Michael Clayton, Arthur Edens (Tom Wilkinson) and Clayton (George Clooney) face off each other in a back alley in New York. "I'm not the enemy here" says Clayton, his voice loaded with frustration. Before walking off, Edens shoots back "Then who are you?"

There are two things worth noting in this scene that make the movie special. Neither of these is Wilkinson's pitch perfect performance as a lawyer who - following a massive attack of conscience - is coming off the rails. I expected as much from him (despite a shaky American accent).

But first, as in this scene, the actors in Michael Clayton work hard to act with each other instead of trying to stage scenes for themselves. They act like a selfless bunch - enhancing each other's characters and giving the movie a crackling kinetic energy. Later yet, in a scene in which Tilda Swinton does the unthinkable and initiates an action from which there is no turning back, Robert Prescott plays his scene opposite her with a studied disposition that adds layers to her character.

And second, this isn't the George Clooney - preening, strutting and smile-smirking with a matinee idol cock to his face - that we are used to seeing. Clooney here looks dazed, lost, frustrated. In one scene that brought a lump to my throat, when he is overwhelmed by the sheer crush of events in his personal life, he stops his car to assure his son that the boy will not grow up to be a loser. Clooney's face is almost putty here - he looks vulnerable. In the movie, he changes some of his body language to reflect a weary apprehension that we normally don't associate with him.

Clayton is a former criminal lawyer without a title at the law firm of Kenner, Bach, & Ledeen. Unofficially he is the guy people call on to clean up a mess. He refers to himself as the bag man. Edens, a brilliant lawyer and Clayton's close friend is in charge of leading the defense of a $3 billion lawsuit against U/North for deploying a poison fertilizer. Somehow Edens gets his hands on a document with evidence incriminating U/North. And foregoing his bipolar meds he has a manic attack. He strips down in the middle of a deposition. On camera.

Clayton is called in clean up the mess. Much is at stake - as is usually the case in movies like this, only director Gilroy is careful not to throw this in our faces with blaring horns. At first convinced that Edens just needs to get back on his medication and all will be well, Clayton has second thoughts as he begins to peel back the layers. Clayton's own family and their related issues are juxtaposed nicely in the movie with the events occurring around U/North.

Tilda Swinton plays Karen Crowder who has just been promoted to run U/North. When we first see her - early in the film - she is in a bathroom having a menopausal hot flash. Later yet, we see her rehearsing for a television interview with interspersed scenes from the actual event. Clearly this is a woman who has worked hard to get where she is and carries her ambitions on the back of careful organization. Swinton tries to get the situation under control - but in her own way, thus escalating Clayton's dilemma.

Swinton's biggest contribution to this movie is that she plays a rather typical character in a very atypical way. Its a shrewd turn because with every scene she is able to convey her reasons for what she is about to do.

Gilroy's movie is a drama disguised as a legal thriller. But it is so well written and wonderfully executed that this take on a beaten-down genre seems fresh. Often Gilroy's unhurried sense of how to capture the action and move the narrative allows him to breeze through the (few) awkward parts of the plot.


Anonymous said...

Aspi, you have captured the essence of the film beautifully. I would like to see lots of Oscars go to Clooney.

Unknown said...

Mind Rush, thanks for being with me on Hollywood. Clooney has been gathering enough good karma that the academy might stop punishing him for being a poster boy. On the other hand Daniel Day Lewis looks hard to beat in this race.

Anonymous said...

I love the Clooney! And I loved this movie which is why it kills me that it isn't going to win anything tomorrow. Sigh. The other scene that I absolutely loved was the final confrontation between Swinton (who is so awesome, they should create a special award for her the way they do for SRK every year at Filmfare) and the Cloon: there wasn't anything cool or especially clever about that scene - it was just two people squaring off and I could totally feel the emotion there.

But yes, DDL will win best actor, Javier Bardem and Ruby Dee supporting and No Country best picture. And Diablo Cody for screenplay. which makes me want to hit something much as I liked Juno.

Anonymous said...

One more thing--this film brilliantly questions society's simplistic notions of madness.

When medicated and apparently sane, Arthur Edens is an accomplice to inhumane and unethical acts. When he is in the grips of insanity he attains clarity and he says, "I am Shiva the god of death."

Unknown said...

Terrific point Mind Rush. You should be writing reviews for us.

mimi said...

I've been curious about this film but haven't yet seen it as I always find Clooney's holier-than-thou roles a little irksome, and that's how it looked from the trailers I'd seen. But I've been craving a good thriller for a friday night so perhaps this is just the ticket... plus mindrush's comments on madness in this have definitely whet my appetite...